My entire process is a formal exploration of color, texture, space, and time. I draw inspiration from so many different sources… distressed architecture, pop art, graffiti, abstract expressionism, the New Aesthetic movement and so much more.” – John
“My work is a surface where this dialogue becomes visible explorations of my surroundings and my identity, a surrogate self with limitless possibilities. Often referencing architecural spaces, wallpapers, and raw materials… “ – Lisa
KLAIRE LOCKHEART – Atrium Artist
Flipping the binary doesn’t solve all the problems related to the objectification of women in art, but it does provide an entertaining start. I use humor to inspire viewers to consider that passive representations of women for the heteronormative male gaze are neither natural nor universal. In response to the abundance of dehumanizing imagery I am expected to appreciate for art’s sake, I invented the brodalisque. These oil paintings feature masculine men who recreate the poses and passivity of historic odalisques. Western Orientalist painters typically portrayed odalisques within the harem, a place where unrelated men were not allowed to enter. To update the trope of creating a “realistic” painting in a prohibited space, I place my subjects within the hidden mysteries known as the man cave. I render these forbidden environments representationally to persuade viewers that these compositions are factual and not at all fictitious. If the excessive depictions of nude women in art are really truly about form and aesthetics, not power and ownership, then my paintings should be completely serious and not remotely silly. (The newest paintings in this series were created with a generous grant from the Elizabeth Greenshields Foundation.)
Cost: Individual $25 / Duo $40 Ages: 13+ Learn the basic fundamentals of the art of stand-up comedy with professional comedian Pat Janssen. Pat is a Nebraska native who has appeared in numerous commercials and TV shows. He... Read More
First Fridays are getting a fresh new look and name as we move to expand our open mic, music, poetry and art nights at the Arts Center. Join us for the first edition of Fresh Friday’s on June... Read More
Artist Reagan D. Pufall will be exhibiting 3d printed faces in the main gallery during the summer of 2024. Saturday, June 10th he will scan faces of Norfolk community members to add to his show. participants will receive... Read More
Cost: $25 Ages: 21+ Learn some fun history about the origin of charcuterie and prepare a 4th of July themed charcuterie board. Have fun exploring the pairings of meat and cheese and, of course, wine! Create a red, white and... Read More
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Last Updated: November 4, 2022 by webmaster
McCaughey, Wicka and Lockheart Exhibitions
JOHN McCAUGHEY & LISA WICKA – Gallery Artists
December 2022 – February 2023
My entire process is a formal exploration of color, texture, space, and time. I draw inspiration from so many different sources… distressed architecture, pop art, graffiti, abstract expressionism, the New Aesthetic movement and so much more.” – John
“My work is a surface where this dialogue becomes visible explorations of my surroundings and my identity, a surrogate self with limitless possibilities. Often referencing architecural spaces, wallpapers, and raw materials… “ – Lisa
KLAIRE LOCKHEART – Atrium Artist
Flipping the binary doesn’t solve all the problems related to the objectification of women in art, but it does provide an entertaining start. I use humor to inspire viewers to consider that passive representations of women for the heteronormative male gaze are neither natural nor universal. In response to the abundance of dehumanizing imagery I am expected to appreciate for art’s sake, I invented the brodalisque. These oil paintings feature masculine men who recreate the poses and passivity of historic odalisques. Western Orientalist painters typically portrayed odalisques within the harem, a place where unrelated men were not allowed to enter. To update the trope of creating a “realistic” painting in a prohibited space, I place my subjects within the hidden mysteries known as the man cave. I render these forbidden environments representationally to persuade viewers that these compositions are factual and not at all fictitious. If the excessive depictions of nude women in art are really truly about form and aesthetics, not power and ownership, then my paintings should be completely serious and not remotely silly. (The newest paintings in this series were created with a generous grant from the Elizabeth Greenshields Foundation.)
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