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Calendar

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Summer 2022 Exhibtions
Summer 2022 Exhibtions
Jun 2 – Aug 24 all-day
Tammi Reeves – Gallery Artist “This series is a collection and journey of what growth looks like, with each piece revealing a piece of tangled webs inside a mind looking for hope or that splinter of light at... Read More
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Jun
2
Thu
Summer 2022 Exhibtions
Jun 2 – Aug 24 all-day

Tammi Reeves – Gallery Artist

“This series is a collection and journey of what growth looks like, with each piece revealing a piece of tangled webs inside a mind looking for hope or that splinter of light at the end of a tunnel. Some people simply cannot speak and write what is deep inside, but you can give them some paint and they can make you feel it. My hope is that my art can connect with something inside of yourself, that you may be able to feel inspired to not feel alone and that if you’re in a place where you find yourself laying on the cold tile floor…that God speaks to you and says, “Talitha Cumi.” And places a paintbrush in your hands.”

Sophia Ruppert – Atrium Artist

“In my practice, “material” refers to any object that is human-made and does not naturally occur in nature. Physical things inform every part of our being. they connect us to other times and root us in community. Fabric swaddles us through life, tools aid our labor, dishes hold our food. By nature of necessity, materials chronicle our history as complex individuals and, when dissociated from use, catalogue our existence as artifacts. As I work, I consider our human nature and ask further questions: making up answers when I find none or am unsatisfied with a resolution.”

Sep
1
Thu
Understory – Landscape Paintings by Jason Needham Gallery Exhibition
Sep 1 – Nov 24 all-day

“I’ve had a long-standing interest in impressionism, post-impressionism, and early American modernists like Marsden Hartley. All the other obvious influences apply: David Hockney, Neil Welliver, Alex Katz, Lois Dodd, among others. I’m drawing and painting scenes that are very familiar to me: forest scenes just off the beaten path, a pocket of woods with an interstate, parking lot or air-conditioned retreat just behind me. The trick is to see these mundane moments as majestic while allowing the mistakes of hand and misconceptions of eye be as present as the purposeful. I like the paintings to coalesce from a distance but upon close inspection fall apart into marks and the process of making, with the underlaying scaffolding of the image still visible. Each brushstroke becomes a single particle and the painting a wave of time-space. Whether I’m standing on the edge of the Grand Canyon or staring into the corner of a room, the investment in looking is the same. On one end, I’m working areas of my brain that lie deeper than the surface stream of thoughts, the self-narrating voice. On the other end, I’m pondering the fundamental structure of reality.”